Turnstile launched the Never Enough Tour Pt. 2 on September 9, 2026, at The Eagles Ballroom in Milwaukee, opening a 16-date headline run that pairs the Baltimore hardcore band with a completely different supporting lineup at every show. The tour follows the August 28 release of “Never Enough: Versions,” a 36-track reimagining of the Grammy-winning album featuring contributions from Elton John, Hayley Williams, Dying Fetus, Blood Orange, and more than two dozen other artists. Tickets went on general sale in late June.
Key Takeaways
- The Never Enough Tour Pt. 2 runs 16 dates from September 9 in Milwaukee through October 18 in Los Angeles, with no two shows sharing the same supporting lineup.
- Supporting acts across the tour include Clipse, Thundercat, Hatebreed, Vince Staples, Slayyyter, Pennywise, Yves Tumor, Ceremony, Agnostic Front, Fiddlehead, Boy Harsher, Mall Grab, Texas Is the Reason, Terror, Trash Talk, and Angel Du$t, among others.
- “Never Enough” won two Grammy Awards at the 68th ceremony in February 2026: Best Rock Album and Best Metal Performance for the track “Birds.” Turnstile was the first band nominated in the rock, alternative, and metal categories in the same year.
- “Never Enough: Versions,” released August 28, reimagines every track on the original album with contributions from Elton John, Hayley Williams, Dying Fetus, Blood Orange, Alex G, Panda Bear, Four Tet, Faye Webster, Shabaka Hutchings, Dan Deacon, Julien Baker, and others.
- Turnstile is partnering with local nonprofit organizations at each tour stop, giving community groups an on-the-ground presence at every date.
Every Night Is a Different Show
The structural idea behind the Never Enough Tour Pt. 2 is that no two dates are identical. Turnstile and its booking team assembled bespoke lineups for all 16 stops, drawing from a roster of artists that spans hardcore punk, hip-hop, electronic music, R&B, noise pop, and metal. The Milwaukee opener paired Turnstile with Texas Is the Reason, the late-1990s post-hardcore band from New York, and Haywire. From there, the nightly configurations shift sharply.
Detroit on September 11 features Ceremony, the Rohnert Park, California hardcore band, alongside HiTech and Kings Command at the Russell Industrial Center. Toronto on September 12 moves to Woodbine Park with Yves Tumor, Saya Gray, and Pluto’s Kiss. Pittsburgh on September 15 brings Thundercat, the Los Angeles bassist and singer-songwriter, to Stage AE alongside Nourished by Time and Angel Du$t. Tampa on September 19 at England Brothers Park books Hatebreed and Cold World. The Queens, New York date on September 23 pairs Turnstile with Clipse, the Pusha T and No Malice duo, and Julie.
The lineup curation continues through October. Philadelphia on October 2 at The Mann features Pennywise, the Southern California punk band, and Die Spitz. Las Vegas on October 15 at the Brooklyn Bowl brings Vince Staples and Trash Talk. The closing date in Los Angeles on October 18 has not yet had its full lineup confirmed. Other acts appearing at various dates include Slayyyter, Porches, Mall Grab, Boy Harsher, Fiddlehead, Agnostic Front, Terror, and February.
The diversity of the lineups is the point. Turnstile has built its audience by operating outside genre boundaries, and the tour design extends that principle to the live experience. A fan attending the Tampa show with Hatebreed and Cold World is seeing a fundamentally different concert from the person at the Toronto date with Yves Tumor. The curatorial logic treats each city as its own event rather than a stop on a repeating template.
“Never Enough: Versions” Turned a Remix Album Into a Cross-Genre Collaboration Record
The tour launches two weeks after the August 28 release of “Never Enough: Versions,” a companion project that reimagines every track on the original 2025 album through the lens of outside collaborators. The Versions project runs 36 tracks across two hours and three minutes. Several songs receive multiple reinterpretations, each from a different artist working in a different genre.
The guest list reads like a deliberate stress test of how far a hardcore punk album can stretch. Elton John plays piano on a reworked version of “Seein’ Stars.” Hayley Williams of Paramore delivers an expansive, soul-influenced take on “Ceiling” that runs more than twice the length of the original’s 73 seconds. Dying Fetus, the Maryland death metal institution, contributed a version of “Birds,” the same track that won Turnstile a Grammy for Best Metal Performance. Blood Orange provides an airy, mellow reimagining of “Light Design.” French singer Oklou offers a somber, hymn-like take on the same track. Shabaka Hutchings, the British jazz musician, pushes “Slowdive” through a skronking saxophone treatment that bears little resemblance to the original’s Sabbath-indebted riff structure.
Other contributors include Alex G, Panda Bear, Four Tet, Faye Webster, Dan Deacon, Julien Baker of Boygenius, A.G. Cook, Floating Points, Rod Lee, Kettama, Mustafa, Chanel Beads, Nourished by Time, and Angel Du$t. The project positions Turnstile’s music as source material for a cross-section of contemporary music rather than a fixed product of one genre. Each reinterpretation strips a song down and rebuilds it according to the collaborator’s own vocabulary, and the cumulative effect is an album that sounds nothing like itself 36 times over.
The Grammy Wins Changed the Scale of the Operation
Turnstile released “Never Enough” on June 6, 2025, through Roadrunner Records. The album was the band’s fourth studio release and the first without founding guitarist Brady Ebert, who departed in 2022. Guitarist Meg Mills joined the lineup for the recording, which was produced by frontman Brendan Yates. The album charted in the top 10 in five countries and received five Grammy nominations at the 68th Annual Grammy Awards, making Turnstile the first band nominated simultaneously in the rock, alternative, and metal categories in the same year.
At the February 2026 ceremony at Crypto.com Arena in Los Angeles, Turnstile won Best Rock Album for “Never Enough” and Best Metal Performance for “Birds.” Yates accepted the Best Rock Album award with a speech that credited the community that punk and hardcore music had given the band. The wins marked a threshold moment for Turnstile. A band that had built its audience through DIY basement shows, Flatspot Records releases, and word-of-mouth touring was now a two-time Grammy winner headlining arenas and amphitheaters.
The first Never Enough Tour ran from September 2025 through January 2026, covering North America, Europe, the U.K., and Australia. Festival placements at Coachella, Primavera Sound, Bonnaroo, Lollapalooza, and All Points East followed through the spring and summer of 2026. The Pt. 2 tour picks up where those runs left off, but the format is different. Instead of a fixed opening lineup playing the same set at every date, the curated approach treats the tour as a series of one-off events.
Local Nonprofits Get a Presence at Every Date
Turnstile is partnering with local nonprofit organizations at each stop on the Never Enough Tour Pt. 2, giving community groups an on-the-ground presence at the venue on show night. The band has not released a full list of partner organizations, but the structure follows a model in which each city’s nonprofit is selected based on local relevance rather than a single national affiliation.
The initiative aligns with a pattern that Turnstile established before its Grammy-era visibility. When “Never Enough” launched in May 2025, the band performed a free hometown show in Baltimore and directed proceeds to Healthcare for the Homeless, a Baltimore-based organization. The nonprofit partnerships on Pt. 2 scale that impulse across 16 cities, embedding community engagement into the tour’s infrastructure rather than treating it as a one-off gesture.
What the Tour Structure Says About Where Turnstile Sits Now
The Never Enough Tour Pt. 2 is not a standard album-cycle tour. The album is more than a year old. The Versions companion project is two weeks into its release. The Grammy wins are seven months behind. The question the tour answers is not whether Turnstile can fill rooms on the strength of “Never Enough” but whether the band can operate as a curatorial force, assembling lineups that function as standalone events and drawing audiences who are buying into the night as a whole, not just the headliner.
The answer, based on the pre-sale response and the caliber of supporting acts who agreed to participate, appears to be yes. Booking Clipse for a single date in Queens, Thundercat for a single date in Pittsburgh, and Vince Staples for a single date in Las Vegas requires a level of pull that goes beyond ticket sales. It requires artists across genres to see Turnstile as a credible curatorial partner, someone whose stage they want to share for one night because the context elevates the performance. That currency is harder to measure than chart positions or streaming numbers, but it is what distinguishes a touring band from a touring institution. Turnstile, 16 dates into its post-Grammy chapter, is testing whether it has crossed that line.
FAQs
How Many Dates Are on the Never Enough Tour Pt. 2?
The tour runs 16 dates, beginning September 9, 2026, in Milwaukee and concluding October 18 in Los Angeles. Each date features a completely different supporting lineup curated specifically for that city.
What Is “Never Enough: Versions”?
“Never Enough: Versions” is a 36-track companion album released August 28, 2026, that reimagines every song from Turnstile’s Grammy-winning 2025 album “Never Enough.” Contributors include Elton John, Hayley Williams, Dying Fetus, Blood Orange, Alex G, Panda Bear, Four Tet, Faye Webster, Shabaka Hutchings, Dan Deacon, and Julien Baker, among others.
Which Grammys Did Turnstile Win?
Turnstile won Best Rock Album for “Never Enough” and Best Metal Performance for the track “Birds” at the 68th Annual Grammy Awards in February 2026. The band was also the first act nominated in the rock, alternative, and metal categories in the same year.
Are There Nonprofit Partnerships at Each Show?
Yes. Turnstile is partnering with local nonprofit organizations at every stop on the tour, giving each group an on-the-ground presence at the venue. The specific organizations vary by city.
