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Emily Nicole Green’s New Album Release – Vocal Vulnerability Listeners Love

Music Observer
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Emily Nicole Green is ready to release her debut EP, Outrunning The Animal. On October 30th, the five-track album will be available and listeners are looking forward to the soulful sounds coming their way. The singer-songwriter is making bold moves, redefining herself at 40 by taking her talent and creating sounds that resonate with her audience. The release will occur on her birthday, making a meaningful statement that no avid music listener wants to ignore. 

With essential emotional components and lyrics reminiscent of poetry, Green invites her listeners on a unique experience that can’t be duplicated. Outrunning The Animal combines hints of pop, country, blues, jazz, and folk for an irresistibly catchy collaboration of genres that staple her music into our playlists. Setting her songs on repeat is a

natural response to hearing the carefully crafted concoction of sounds Emily Nicole Green has in store for any and every listener. 

Emily Nicole Green’s authentic approach to musical creation openly invites the listener on a journey through her past, present, and potential future. She genuinely connects with anyone at the other end of the speaker. From where she hails in New York City, she speaks to the hearts that need to hear her message. The way in which her voice impactfully graces the words of her music makes every second exciting and leaves the listener longing to hear more. 

Consider the opening track, Hole In My Heart. The country flavor is matched by her exceptional vocal stylings, describing the depths of how heartbreak affects the soul. Wreckage is an equally enticing track that makes you want to press play and immerse yourself in the sounds of jazz. It explores the emotional fervency of lost love, empowering others to cathartically listen and heal from the experience. 

Thirdly comes Thief, an American folk-style ballad that ensnares the sense of heartache and vulnerability. That track is followed by Courage, touching on the tacit acceptance it takes to move on from an emotional connection that’s been severed. The expression of gratitude for the experience is laced with the inevitable, beautiful, tiny emotional releases that slowly bring someone closer to a state of contentment. Taking note of her journey and listening to her heartfelt and delicately cultivated sonic dictations can be a powerful positive force in the lives of those going through the same thing. 

It’s Gonna Be Okay closes the album. The soothing track lulls listeners into the conclusive experience they want after listening to such an emotionally influential album. It ties together three years of dedication and production that resulted in the complete masterpiece set to release at the end of the month. 

According to Emily Nicole Green, “Outrunning The Animal is an invitation to face ourselves. We are part animal and part human and the more we learn to be with the parts of ourselves that are unwieldy and untidy and

very much alive, the more these parts can stop sabotaging us and fueling our addictions and anxieties in failed attempts to get our acknowledgment and validation. These emotional parts of us will eventually demand to be heard. We can’t outrun the animal because we are the animal. In spite of our best efforts, we can’t outrun ourselves. I hope these songs will be like close friends that you can call on when you want to feel some kind of catharsis or when you want to feel a little bit less alone.” 

Listeners are looking forward to this and future releases from this accomplished artist. She brings a soulful sound that can’t be ignored or refuted in terms of efficacy or pure emotional power. If you’re looking to up your listening experience, keep an ear out for Outrunning The Animal on October 30th. We’ll be listening right there with you!

This article features branded content from a third party. Opinions in this article do not reflect the opinions and beliefs of Music Observer.

This article features branded content from a third party. Opinions in this article do not reflect the opinions and beliefs of Music Observer.