Calebdoee is an artist who prides himself on the intentionality and interconnected themes of his raps. His previous project, Corleone: Part II, reflects this, taking inspiration from the Godfather film series. However, for his latest project, an EP titled VOL 1., The Leftovers, Calebdoee wanted to dial the complexities back a little, make some tracks for the summer, and try some new things with production.
One of the most interesting things about VOL 1: The Leftovers is that all three tracks sound different. Calebdoee excels in all three lanes he explores. This project is also special because it marks his return to working with his day-one producers, and they all committed to doing new and creative things to surprise listeners while still giving them a sense of comfort with music fit for the summer.
“I wanted to slow things down and have a little bit more fun with these songs. The last time I did summer-centric music was four years ago with a mixtape called Parkin Lot Playaz, which dropped in July. I wanted to get back to that feeling. These are fun, upbeat songs that still have substance to them,” he said.
The opening track, titled “PSA,” samples one of the most well-known artists of the modern day, Tame Impala. As a longtime fan, he found it an honor and a fun challenge to get on the sample and put a different spin on it. Taking the piano chords from the track “My Old Ways,” Calebdoee and his producer T-Zank used them to create an atmospherically dominant yet reflective track for him to talk about how he’s moving through the world and how people around him are responding to it.
The middle track, “YOU&ME,” has a truly cinematic origin story, as Calebdoee wrote it while watching the ’90s classic movie Love Jones. Naturally, this track is more intimate than what his listeners are used to, but it sits right at home in the tranquility of a summer evening. This track also serves as a preview of what’s to come for Calebdoee, who has plans for R&B-leaning music.
“I had already started working on the song with some bits and pieces that were inspired by a love letter I had written. I watched the movie Love Jones, and while I was watching, more inspiration came to me, and I just weaved everything together,” he said.
The final track, “Brooklyn, USA” is where the summer vibes are at their strongest. With a sample from René & Angela from their song “I Love You More,” which was also used by Biggie and JAŸ-Z for their song “I Love the Dough,” producer Talen Ted and Calebdoee crafted a track that would sit comfortably in a playlist of summer party songs from yesterday and today. It’s the track that could bring new ears to his music by combining the undeniable grooves of the past with his talents of the present.
“Biggie and JAŸ-Z are my two favorite rappers, and they’re from Brooklyn. I was listening to a MC Lyte freestyle, and she’s from there too. I just wanted to pay homage to them because I admire the drive, mindset, and success of people from there. I’d been waiting to get on a beat like this and was elated to finally be able to,” he said.
Even though this project is called VOL 1., The Leftovers, Calebdoee has lots more music on the way, and his listeners are going to be eating good in the very near future.
You can tap in with more of Calebdoee’s music by keeping up with him on these platforms.
Phoebe Bridgers announced Thursday, Aug. 6 that she will preview her new album “Lost Weekend” through a series of planetarium listening sessions beginning Aug. 10, four days before the record’s official Aug. 14 release. The sessions will run in planetariums across the United States, Canada, Europe, Australia and New Zealand, giving ticketholders a rare early listen before the album reaches streaming services.
Key Takeaways
Phoebe Bridgers announced on Thursday, Aug. 6 that planetarium listening sessions for “Lost Weekend” will run Aug. 10-15 across 25 North American cities and nine overseas locations, totaling 34 venues.
Each planetarium will show one of two visual programs, either a dome show designed by photographer Babak Tafreshi or a laser presentation from Laser Fantasy, with venues grouped by which show they host.
Attendees must lock phones and smart watches in Yondr pouches to prevent recordings, a measure also used during Bridgers’ acoustic shows earlier in 2024.
More than 300 midnight listening parties will take place globally on Aug. 13, the night before the album’s official Aug. 14 release.
“Lost Weekend” is Bridgers’ first solo album since 2020’s “Punisher,” which reached No. 43 on the Billboard 200, following her Grammy-winning work with boygenius on “The Record.”
The rollout signals something beyond a marketing gimmick: Bridgers and her label are betting that a tightly controlled, phone-free listening event can generate more anticipation than a leak-prone digital release ever could. By pairing the music with immersive visuals and locking down recording devices, the plan turns the first listen into a one-time communal experience rather than something fans can screenshot, stream early or dissect clip by clip online.
How the Planetarium Rollout Will Work
Starting Aug. 10, ticketholders at participating planetariums will hear “Lost Weekend” in full, four days ahead of its Aug. 14 arrival on streaming platforms. The sessions are produced in partnership with Spotify which is working alongside Bridgers and her label, Dead Oceans, to stage the shows.
Each planetarium will pair the album with one of two visual programs. Some venues will screen a dome show designed by night-sky photographer Babak Tafreshi, while others will run an immersive laser presentation from Laser Fantasy. Markets are grouped by which of the two shows they receive, meaning a fan in one city could have an entirely different visual experience than a fan in another, even on the same night.
The Tafreshi version is described in the official announcement as “a breathtaking audiovisual journey that travels from the star-filled skies of Madagascar and the shimmering Northern Lights above Iceland’s glaciers to the powerful storms across Texas” filmed in nearly 20 countries without computer-generated imagery. The Laser Fantasy show is billed instead as “an immersive light spectacular that fills the dome with dazzling animations, kaleidoscopic abstract imagery, and immersive aerial beam effects that surround you in light,” paired with each venue’s surround sound system.
Photo by Dario Bertolino on Unsplash
Which Cities Are Hosting the Listening Sessions
The planetarium circuit spans 25 North American cities plus nine overseas locations, for 34 venues total. North American stops include the Adler Planetarium in Chicago, the Morrison Planetarium in San Francisco, the Clark Planetarium in Salt Lake City and the H.R. MacMillan Space Centre in Vancouver, Canada. Overseas venues include the Cité des sciences et de l’industrie in Paris, the Verkehrshaus der Schweiz in Luzern, Switzerland, the Armagh Observatory and Planetarium in Northern Ireland, and Scienceworks in Melbourne, Australia.
Region
Number Of Locations
Show Window
North America
25 cities
Aug. 10-15
Europe, Australia, New Zealand
9 locations
Aug. 10-15
That geographic spread means fans in cities without a participating planetarium are left out of the early listen entirely, unless they wait for the midnight parties described below.
Who Gets Access and Who Is Left Out
Fans attending the planetarium shows will be required to lock their phones and smart watches inside Yondr pouches before entering, a restriction Bridgers previously used during her intimate acoustic shows earlier in 2024. The measure is meant to keep the album from leaking online before its Aug. 14 release, and it mirrors a broader industry trend of artists treating an unreleased album’s first playback as something to be physically protected rather than simply embargoed.
Photo by ROBIN WORRALL on Unsplash
For fans without a nearby planetarium, more than 300 midnight listening parties will take place globally on Aug. 13, the night “Lost Weekend” officially becomes available. Those events span the United States, Canada, Scotland, England, Ireland, Wales, Belgium, Denmark, Finland, France, Germany, the Netherlands, Portugal, Spain, Australia, New Zealand, India, Japan, the Philippines, Singapore, South Korea, Thailand, Brazil, Chile, Colombia, Ecuador, Guatemala, Mexico, Peru and Uruguay. That scale suggests the planetarium shows function as an exclusive preview tier, while the midnight parties serve as the mass-access release moment for fans everywhere else.
Why This Album Carries Extra Weight for Bridgers
“Lost Weekend” marks Phoebe Bridgers’ first solo album since 2020’s “Punisher,” which reached No. 43 on the Billboard 200. In the years between, she built a larger audience through boygenius, her project with Lucy Dacus and Julien Baker, whose album “The Record” peaked at No. 4 on the Billboard 200 albums chart and won three Grammys in 2024. That trajectory raises the stakes for a solo return, since Bridgers now carries a bigger platform than she had heading into her last solo cycle.
The album’s lead single, “Lost Boys,” has already circulated ahead of the full release, and lyrics from another track, “The Governor’s Waltz,” have drawn attention online for lines widely read as references to her personal life. The planetarium rollout arrives, then, as both a technical showcase and a controlled setting for material fans are already parsing closely before they’ve heard it in context.
What the Format Signals for Future Album Releases
Locking phones in pouches and staging listening events in scientific venues rather than clubs or theaters reflects a strategy built around scarcity and shared experience rather than pure reach. Streaming numbers accumulate regardless of where or how an album debuts, but a first listen that can’t be recorded, clipped or leaked creates a different kind of anticipation, one built on secondhand description rather than instant playback.
Whether other artists follow with their own planetarium tours or laser shows remains unclear, since nothing in the announcement points to this becoming a recurring model beyond “Lost Weekend.” What is clear is that Bridgers and Spotify have built a release event around controlled access rather than open distribution, at least for the four days between Aug. 10 and the album’s Aug. 14 arrival everywhere else. Music Observer will be watching whether the format changes how fans and press talk about an album before its wider release, or whether it remains a one-off tied to this record alone.
FAQs
When Does Lost Weekend Officially Release?
Phoebe Bridgers’ new album “Lost Weekend” officially releases on Aug. 14. The planetarium listening sessions begin Aug. 10, giving ticketholders an early preview four days ahead of the wider release.
How Many Planetariums Are Hosting the Listening Sessions?
The listening sessions span 34 planetariums total, made up of 25 cities across North America and nine overseas locations in Europe, Australia and New Zealand. Venues run the sessions between Aug. 10 and Aug. 15.
What Are the Two Visual Shows Paired With the Album?
One presentation is a dome show designed by night-sky photographer Babak Tafreshi, filmed in nearly 20 countries without computer-generated imagery. The other is a laser and light spectacular produced by Laser Fantasy, paired with each planetarium’s surround sound system.
Why Are Phones Banned at the Planetarium Shows?
Attendees must lock their phones and smart watches in Yondr pouches to prevent recordings and leaks before the album’s official release. Bridgers used the same restriction during her intimate acoustic shows earlier in 2024.
What If There’s No Planetarium Near Me?
Fans without access to a participating planetarium can attend one of more than 300 midnight listening parties happening globally on Aug. 13, the night before the album’s official release. Locations span dozens of countries including the United States, France, Japan, Brazil and Mexico.
Is This Phoebe Bridgers’ First Album Since Punisher?
Yes, “Lost Weekend” is her first solo studio album since 2020’s “Punisher,” which reached No. 43 on the Billboard 200. In between, she released “The Record” with boygenius, which peaked at No. 4 and won three Grammys in 2024.
What Is the Lead Single From Lost Weekend?
The lead single from “Lost Weekend” is “Lost Boys.” The full album, including additional tracks that have already drawn attention for their lyrics, arrives Aug. 14.
