Music Observer

ManMade Unplugged: Inside the Creative Process of a Grammy-Nominated Producer

In the ever-evolving landscape of hip-hop production, certain figures emerge not only as titans of their craft but also as innovators who transcend the boundaries of genre and convention. Among these luminaries stands ManMade, a Grammy-nominated producer whose influence reverberates through the industry. Delving into the depths of his creative process unveils a journey marked by diversity, passion, and unwavering dedication to his craft.

With a career spanning decades, ManMade has established himself as a formidable force in hip-hop production. His ability to seamlessly transition between crafting rap anthems with artists like Lil Durk and collaborating with international superstars such as Steff London and Saint Jhn speaks volumes about his versatility and adaptability. What sets ManMade apart is not only his knack for creating chart-topping hits but also his willingness to push the boundaries of creativity and experimentation.

At the core of ManMade’s creative process lies a deep-seated passion for music and an insatiable hunger for innovation. Whether he’s orchestrating hard-hitting beats or crafting melodic masterpieces, ManMade approaches each project with an unparalleled level of commitment and authenticity. His broad diversity in music production and songwriting not only sets him apart from his peers but also serves as a testament to his boundless creativity and ingenuity.

Beyond his contributions to the sonic landscape of contemporary music, ManMade is also a savvy entrepreneur. His recent promotional trip to Africa to promote his independent rug merchant business, “Inzozi Creations,” exemplifies his multifaceted approach to success. This pivotal moment for his growing business represents its first official introduction to international audiences, showcasing ManMade’s ability to seamlessly navigate the intersection of music and business.

Being well-versed in the world of business has afforded ManMade the opportunity to further prove that he is more than just a producer. His meticulous attention to detail and relentless work ethic ensure that important tasks, such as playlisting and budget allocation, are handled with precision and care. Just as he approaches his music with tenacity and determination, ManMade brings that same level of passion and dedication to his business endeavors.

ManMade’s journey serves as a testament to the power of passion and perseverance in shaping a successful career. His ability to pivot seamlessly between music and entrepreneurship underscores his versatility and adaptability. As he continues to explore his passions and develop his entrepreneurial skills, ManMade remains at the forefront of innovation, constantly pushing the boundaries of what is possible in the world of music and beyond.

In conclusion, ManMade’s influence on contemporary music extends far beyond his contributions as a producer. His unwavering dedication to his craft, coupled with his entrepreneurial spirit, has solidified his status as a visionary in the industry. From crafting rap anthems to building a successful business empire, ManMade exemplifies the boundless potential of creativity and determination. As he continues to push the boundaries of what is possible, his impact on the global music industry is sure to endure for years to come.

 

Published By: Aize Perez

CGYB’: Don Mack’s Bold Statement in the Hip-Hop Arena

In the realm of hip-hop, where the battle for lyrical supremacy and musical innovation is constant, Don Mack emerges with “CGYB” (Come Get Your B****), a track that cements his status as a formidable artist in the genre. Beyond its infectious rhythm and masterful wordplay, “CGYB” delves into the intricate tapestry of modern relationships and societal norms, showcasing Mack’s adeptness at weaving together personal narratives with broader cultural observations.

“CGYB” stands as a pivotal addition to Don Mack’s discography, notable not just for its auditory appeal but for its exploration into the complexities of relationship dynamics against the backdrop of contemporary society. The track’s introspective line, “I prayed that I’d win, ended up losing a lot but it turned me into what I ought to be,” underscores Mack’s journey of self-discovery and resilience, intertwined with a candid look at the social façades that pervade our interactions.

The genesis of “CGYB” lies in Don Mack’s sharp observation of the tensions and contradictions inherent in today’s relational landscapes, especially when tested by the allure of social freedoms and the clash of public personas. Through “CGYB,” Mack navigates these blurred lines with a narrative finesse that reflects the complexities of trust, loyalty, and the unspoken social contracts that guide our behaviors.

Don Mack’s path from the gritty streets of Columbus, OH, to the national music stage is a narrative of tenacity and ambition. Raised by a single mother, Mack’s early life was marked by challenges that he has channeled into his music, infusing his tracks with a depth of insight and authenticity. “CGYB” exemplifies this blend of personal experience and societal critique, offering listeners a multifaceted track that resonates on both a rhythmic and intellectual level.

CGYB” is poised to spark conversations among Fans, who are known for their appreciation of music’s power to comment on and influence cultural currents. This track is a testament to Don Mack’s artistic evolution and his capacity to capture the zeitgeist through his music, making it a significant contribution to the hip-hop genre and a focal point for discussions on the interplay between personal identity and societal expectations.

As the hip-hop community and Vents Magazine readers alike anticipate the drop of “CGYB,” the track stands ready to not only entertain but also to provoke thought and dialogue about the narratives we navigate in our contemporary social fabric. Don Mack invites his audience to engage with “CGYB” not just as a musical release but as a cultural artifact that mirrors the complexities of modern life, cementing his role as a storyteller whose medium is the beat and whose canvas is the broad expanse of human experience.

Published by: Martin De Juan

Julián De La Chica: AWA Winner for Best Historical Fiction Novel

Brooklyn-based Colombian composer and visual artist Julián De La Chica has been honored with the AWA (Award-Winning Author) prize for Best Historical Fiction Novel in English (silver medal) and has also received an Honorable Mention for Best LGBTQ+ Themed Book at the 25th edition of the International Latino Book Awards 2023 (ILBA) with his book, God’s Punishment. According to the festival’s website and newsletter, the awards featured a competitive selection of over 3,000 submissions from around the world, evaluated by a panel of 220 judges.

God’s Punishment is based on the small Colombian town of Agua de Dios and its extensive history in the 19th and 20th centuries as an isolated community created by the Colombian government to house people with leprosy and those suspected of having it. The book, whose title references the biblical doctrine that leprosy was a divine punishment, is based on real events and includes authentic dialogues from the era.

De La Chica explains that the novel addresses human rights violations in a dark chapter of Colombian history and culture while highlighting the power of music. Leprosy, a topic still stigmatized today (as recently commemorated on World Leprosy Day on January 28), became the inspiration for the classical/minimalist composer De La Chica to explore in his writing.

The composer stumbled upon the story by chance while spending a weekend near Agua de Dios. Knowing that the romantic composer Luis Antonio Calvo had lived there in the early 20th century, De La Chica, who had not only played his work but also read about his life, decided to enter Agua de Dios that summer day. This marked the beginning of his gradual exploration and discovery of many aspects of the theme. “I have also been able to interview several people, including to this day, the director of the leprosy museum, Maria Teresa Rincon, and Jairo Sanchez, director of Calvo’s Museum. Additionally, for the research, I had the support of beloved people in the town, such as Patricia Devia, José Israel Castañeda, and Efraín Oyaga. I also engaged with professionals in the medical field, like Hugo Armando Sotomayor, MD, and exchanged words with Nancy Patricia Gutiérrez, the former mayor of Agua de Dios.

Julián De La Chica: AWA Winner for Best Historical Fiction Novel

Puente de Los Suspiros (Bridge of Sighs) & Police, circa, 1932-1935
Photo Courtesy: José Israel Castañeda
Agua de Dios, Colombia

De La Chica is not just content with the award; he feels fulfilled, particularly with everything that has unfolded around it. “For me, it’s very gratifying to feel that this story is out there, beyond, and that it has transcended our Colombian surroundings. Preserving historical memory and documenting what happened in Agua de Dios is crucial. To achieve this, we had to take the story out of its locality and bring it to the world,” he expresses.

Professor Dainius Pūras, MD, Psychiatrist, and human rights advocate, former United Nations Special Rapporteur on the right to health, stated: “God’s Punishment is not just about a painful past. Even now, people often suffer not as much from the health conditions they have as from the public health measures that are supposed to manage those conditions. The fate of people affected by leprosy, and its impact on entire generations, is one of those sad stories. With powerful language, author Julián De La Chica reminds and warns us of what can happen when human rights are taken away from people.”

On another note, his role as a curator and editor in the debut album of the virtuoso Cuban, Ahmed Alom, and the recording of all four intermezzos of Calvo together for the first time was already a significant success. De La Chica remarks, “There were few recordings about Calvo. For the day we released Ahmed’s album, there was no existing recording with all four intermezzos, let alone at this level, both in execution and recording quality. Now there are more, and it brings me joy to know that we are opening doors, taking Calvo’s music to another level, and showing it to the world.”

While the book may be a bit intricate at the beginning as it shifts from one side to another, resembling a movie revealing traces of time, music plays a crucial role. Therefore, it’s not surprising that soon we will witness this book in an opera performance. Yes, before the book, there is an opera (which makes sense) since De La Chica is a composer before being a writer, where we will witness all these characters. This is not surprising because, in addition to De La Chica being a prolific composer ranging from symphonies, ambient music, to string quartets, he also composes for opera singers. This is evident in his latest commission, Dispersed and Transcendental Chants, Op. 18, performed by the opera star and current Metropolitan Opera singer, mezzo-soprano Briana Hunter. An exquisite album with a contemporary sound that converges tradition, religiosity, street life, and ancestral themes into a sophisticated narrative.

Julián De La Chica: AWA Winner for Best Historical Fiction Novel

Photo Courtesy: IGM

Julián De La Chica seems to be one of those Renaissance artists. One can perhaps watch his film Agata, (now available for rent for only $1) heartbreaking and dark, while listening to his music (I recommend his Symphony No. 1 and his latest album Dispersed and Transcendental Chants), or simply read his book. In any form, his name is always written in the material. His name stands as a testament to artistic brilliance.

Links:
Connect with De La Chica on Instagram and Facebook.
Purchase the book signed by De La Chica.
Buy the book on Amazon.

Published by: Aly Cinco